NEW YORK CITY December 25 2025 Emily Ratajkowski set social feeds on fire this holiday season with a Christmas Instagram photo dump that wasn’t just festive it was full‑on fashion controversy and eyebrow‑raising glamour when she stepped out in a daring black silk little black dress that plunged so low it practically whispered “controversy” and bared so much side boob that even the Christmas ornaments seemed to blush.
The model, author and occasional actress popped up on her 28.8 million‑strong Instagram with a carousel of snaps that looked like a high‑fashion holiday editorial thrown into real life.
In the standout shot she posed in front of a towering Christmas tree clutching a glass of red wine, hair sleek and straight with classic Paris‑chic makeup complete with black eyeliner and a bold red lip while that super plunging LBD clung and dipped with unapologetic bravado.

Fans and critics alike immediately began throwing opinions around like snowballs in a blizzard. Some flooded the comments with fire emojis and cheers, calling it “iconic Christmas energy.” Others argued she had pushed naked dressing (a trend she’s clearly mastered) into full‑on holiday femme fatale territory. A few even joked that if Santa saw that outfit he’d ditch the sleigh and reach for champagne.
What made the moment explode into a full‑blown cultural flashpoint was the braless styling. Ratajkowski’s black silk gown wasn’t just low it was open‑hearted; halter straps and backless design conspiring to show off her body with a confidence most people only dream of on New Year’s Eve.
The result? A side‑boob silhouette that instantly became the unofficial symbol of “festive but make it fashion.”

The caption “Really such a Christmas heaux. grateful and full of love” set to Chuck Berry’s Run Rudolph Run only added fuel to the fire, giving the whole dump a playful yet provocation‑leaning vibe that had fashion commentators dissecting it like they were grading runway looks.
“I mean she’s sipping wine like she’s hosting Vogue’s holiday gala,” one fashion blogger wrote, while another quipped “If the North Pole hired a creative director she’d outshine the elves.” And of course there were the naysayers who argued that the look was too much for a Christmas post and that the holidays should be about wholesome cheer not high‑fashion side‑boob theatrics.
Ratajkowski’s choice was bold but also strategic. In other slides she changed into a rust‑colored jacket with oversized studs and smoky eye makeup, later posting a bright red mini dress with sheer black tights and pointed‑toe pumps before ending with a snap of herself in a black lace bra and tousled hair. The entire reel felt almost like an artistic commentary on holiday wardrobe evolution that refused to be put into a neat aesthetic box.
The reaction was as divided as ever. Some social posts celebrated her confidence and referred to it as empowerment at its most festive, while others were quick to critique the boldness and call it attention‑seeking. One meme that went viral showed Ratajkowski beside a Rudolph image with the caption “Even Rudolph isn’t ready for that glow.”

Interestingly the entire moment also sparked deeper conversation about Ratajkowski’s ongoing relationship with fashion and feminism. Known for using her body and style as provocative performance art (from lingerie campaigns to her book My Body and her roles in film), this holiday post read less like a casual snapshot and more like a statement that beauty isn’t seasonal and that holiday aesthetics can be pushed and reshaped.
Meanwhile, online polarisation reached peak levels when fashion critics began comparing her look to other bold statements by celebrities like Miley Cyrus who famously also bared side boob and dramatic silhouettes on the red carpet this year. Those comparisons escalated discussions around what’s fashion forward versus what’s just shocking for shock value.
Critics weren’t shy about weighing in. One commentator wrote that the braless plunge “felt like a deliberate challenge to traditional holiday style,” while another opined that a Christmas tree and a black silk gown do not a tasteful look make. Yet defenders of the moment argued that Ratajkowski was simply celebrating her own body and agency in whichever way she chooses during a season often filled with cookie‑cutter sweater looks.

Amid the division the original post racked up millions of views with reposts everywhere from TikTok reels to fashion round‑ups on Instagram and Twitter. Commentators dived into every detail from her choice of wine glass as a prop to the elegant minimalism of her hair and makeup contrasted against a gown that seemed to harness both glamour and controversy in equal measure.
And it wasn’t just about the clothes. Some fans pointed to the cozy images of her son Sly eating dinner by the decorated tree and the candid bathtub snapshot as proof that Ratajkowski was blending everyday life and high style in a narrative that’s both human and headline‑grabbing.
Ultimately what made this moment memorable wasn’t just the braless plunge or the side boob — it was how Ratajkowski transformed a simple holiday photo dump into a global style moment that got everyone talking, arguing and resharing. Whether the verdict is empowerment or excess one thing is clear: Emily Ratajkowski doesn’t just wear a look she turns it into cultural conversation.